Julia Charlotte Richter https://juliacharlotterichter.com Julia Charlotte Richter Wed, 16 Jun 2021 18:06:07 +0000 https://juliacharlotterichter.com en Home Page https://juliacharlotterichter.com/Home-Page Thu, 03 Jan 2019 16:57:18 +0000 Julia Charlotte Richter https://juliacharlotterichter.com/Home-Page <img width="1181" height="664" width_o="1181" height_o="664" data-src="https://freight.cargo.site/t/original/i/185643d3e1a68e8db82d9ae46a6dc3da5e0d6bfe272de2838a253209e4d4929c/17218454_10155246303204614_3154920072494854603_o.jpg" data-mid="31759531" border="0" src="https://freight.cargo.site/w/1000/i/185643d3e1a68e8db82d9ae46a6dc3da5e0d6bfe272de2838a253209e4d4929c/17218454_10155246303204614_3154920072494854603_o.jpg" /> <img width="2953" height="1661" width_o="2953" height_o="1661" data-src="https://freight.cargo.site/t/original/i/af0dbe49da62de30fbb0386224538c8c88028b3aa9fcaaeefef5a6d682e1e978/groer-Screen_1.JPG" data-mid="224920535" border="0" 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data-src="https://freight.cargo.site/t/original/i/3fcbd3149dd5ce18f8a2d32b02ff00c8a16399a24d12abbe226caa55ccd756f3/The-Smell-of-Rain.jpg" data-mid="31761592" border="0" src="https://freight.cargo.site/w/1000/i/3fcbd3149dd5ce18f8a2d32b02ff00c8a16399a24d12abbe226caa55ccd756f3/The-Smell-of-Rain.jpg" /> <img width="827" height="465" width_o="827" height_o="465" data-src="https://freight.cargo.site/t/original/i/fdd83293192f939f641d75a8197a685ed13e78d41982cc019867ec86f4354c4e/you-hear-sth-Still2-150dpi.jpg" data-mid="31763092" border="0" src="https://freight.cargo.site/w/827/i/fdd83293192f939f641d75a8197a685ed13e78d41982cc019867ec86f4354c4e/you-hear-sth-Still2-150dpi.jpg" /> <img width="1476" height="626" width_o="1476" height_o="626" data-src="https://freight.cargo.site/t/original/i/a8e2df5628aae5258080b6086ca57a9a98cc8e0f86e0dcda3290c9cb5a196161/You-are-the-Center-Still11.jpg" data-mid="31761572" border="0" 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data-src="https://freight.cargo.site/t/original/i/9c94ea92ccad9b301b93dd634ab53021a8b570905bc313fc4d512644856c780a/LTF-12.jpg" data-mid="33847840" border="0" src="https://freight.cargo.site/w/1000/i/9c94ea92ccad9b301b93dd634ab53021a8b570905bc313fc4d512644856c780a/LTF-12.jpg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/733ad23b5bf4cfc44ca27150da3ac43eb18e7e41b4ffbb5cbd3539b9397db748/Peter-push-play-neu.jpg" data-mid="33848634" border="0" src="https://freight.cargo.site/w/1000/i/733ad23b5bf4cfc44ca27150da3ac43eb18e7e41b4ffbb5cbd3539b9397db748/Peter-push-play-neu.jpg" /> <img width="4134" height="1753" width_o="4134" height_o="1753" data-src="https://freight.cargo.site/t/original/i/bcfe4a64c9688c642c898f2ff950949d0e5220d613862ee949d9fdaea991707b/You-are-the-Center-Still6.jpg" data-mid="33848503" border="0" 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data-src="https://freight.cargo.site/t/original/i/958ec3ad3c85b1e8273507ed0e35afe574c8169a87f8c339ff4589802ea718f0/Blumen-Still9.jpg" data-mid="107663913" border="0" src="https://freight.cargo.site/w/850/i/958ec3ad3c85b1e8273507ed0e35afe574c8169a87f8c339ff4589802ea718f0/Blumen-Still9.jpg" /> <img width="1772" height="997" width_o="1772" height_o="997" data-src="https://freight.cargo.site/t/original/i/153972e58ca51e3e90bea379448a4ccf857796c62ebccc60a5b4a21ce4747ea0/CAMP1-web.jpg" data-mid="33869169" border="0" src="https://freight.cargo.site/w/1000/i/153972e58ca51e3e90bea379448a4ccf857796c62ebccc60a5b4a21ce4747ea0/CAMP1-web.jpg" /> <img width="2953" height="1661" width_o="2953" height_o="1661" data-src="https://freight.cargo.site/t/original/i/f60a6edd318c88ed15f46ba8870315d06fea108c9a8e63059f853b88f5d15ed8/HALF-WAY-STILL16.jpg" data-mid="33849010" border="0" src="https://freight.cargo.site/w/1000/i/f60a6edd318c88ed15f46ba8870315d06fea108c9a8e63059f853b88f5d15ed8/HALF-WAY-STILL16.jpg" /> <img width="768" height="576" width_o="768" height_o="576" data-src="https://freight.cargo.site/t/original/i/ba8c7750fa3b93f36e44c95f0bd5b128cb220c86fb9f5c345453acaab703baef/JB1.jpg" data-mid="33848085" border="0" src="https://freight.cargo.site/w/768/i/ba8c7750fa3b93f36e44c95f0bd5b128cb220c86fb9f5c345453acaab703baef/JB1.jpg" /> <img width="2953" height="1661" width_o="2953" height_o="1661" data-src="https://freight.cargo.site/t/original/i/09978b86912c5735d1915e24a73b87ea74027a879f6ad26dc5dc2af2bd68002b/Setting-Still1-heller.jpg" data-mid="33848153" border="0" src="https://freight.cargo.site/w/1000/i/09978b86912c5735d1915e24a73b87ea74027a879f6ad26dc5dc2af2bd68002b/Setting-Still1-heller.jpg" /> <img width="2953" height="1661" width_o="2953" height_o="1661" data-src="https://freight.cargo.site/t/original/i/886d2ea5dd28bbd4fa9ab45cd8377152f4a51d9a86fc1fb23ad2876033349f64/Das-kl.Rotk.jpg" data-mid="33847789" border="0" src="https://freight.cargo.site/w/1000/i/886d2ea5dd28bbd4fa9ab45cd8377152f4a51d9a86fc1fb23ad2876033349f64/Das-kl.Rotk.jpg" /> Camp https://juliacharlotterichter.com/Camp Sun, 27 Jan 2019 19:34:18 +0000 Julia Charlotte Richter https://juliacharlotterichter.com/Camp Camp <img width="1181" height="664" width_o="1181" height_o="664" data-src="https://freight.cargo.site/t/original/i/ae4c1c7c532aca6e60bad7826541fab93f64a81089eef8a3593ccaf2eafc1f23/Camp17-150dpi.jpg" data-mid="33872577" border="0" src="https://freight.cargo.site/w/1000/i/ae4c1c7c532aca6e60bad7826541fab93f64a81089eef8a3593ccaf2eafc1f23/Camp17-150dpi.jpg" /> <img width="2362" height="1329" width_o="2362" height_o="1329" data-src="https://freight.cargo.site/t/original/i/8e48e336460211983f67b4df4dcbe56d86ac09b989860714985f3c9cc8d5aca2/CAMP13.jpg" data-mid="33872575" border="0" src="https://freight.cargo.site/w/1000/i/8e48e336460211983f67b4df4dcbe56d86ac09b989860714985f3c9cc8d5aca2/CAMP13.jpg" /> <img width="1772" height="997" width_o="1772" height_o="997" data-src="https://freight.cargo.site/t/original/i/012b2a9c5b4add57a9e09d17db746e25b79559799a877c61a166649228b9881e/CAMP11-web.jpg" data-mid="33872722" border="0" src="https://freight.cargo.site/w/1000/i/012b2a9c5b4add57a9e09d17db746e25b79559799a877c61a166649228b9881e/CAMP11-web.jpg" /> <img width="2362" height="1329" width_o="2362" height_o="1329" data-src="https://freight.cargo.site/t/original/i/baa858edcad66d7f7fc87d92df3903e0b1293d2045354164184c987e0b8cf924/CAMP2.jpg" data-mid="33872553" border="0" src="https://freight.cargo.site/w/1000/i/baa858edcad66d7f7fc87d92df3903e0b1293d2045354164184c987e0b8cf924/CAMP2.jpg" /> <img width="1772" height="997" width_o="1772" height_o="997" data-src="https://freight.cargo.site/t/original/i/361eb7d9de19c62e65cb311b9de41697e0ae60e4a0b42c18158b208fbd81655b/CAMP3-web.jpg" data-mid="33874216" border="0" src="https://freight.cargo.site/w/1000/i/361eb7d9de19c62e65cb311b9de41697e0ae60e4a0b42c18158b208fbd81655b/CAMP3-web.jpg" /> <img width="1772" height="997" width_o="1772" height_o="997" data-src="https://freight.cargo.site/t/original/i/153972e58ca51e3e90bea379448a4ccf857796c62ebccc60a5b4a21ce4747ea0/CAMP1-web.jpg" data-mid="33872460" border="0" src="https://freight.cargo.site/w/1000/i/153972e58ca51e3e90bea379448a4ccf857796c62ebccc60a5b4a21ce4747ea0/CAMP1-web.jpg" /> <img width="1181" height="787" width_o="1181" height_o="787" data-src="https://freight.cargo.site/t/original/i/f76e6ae57f2a399683b9112cc6457c1a087e1d613e7ff2f23271dc1ddcc4f04c/new-homepage-Berlin_Haas1106-web-new.jpg" data-mid="60490906" border="0" src="https://freight.cargo.site/w/1000/i/f76e6ae57f2a399683b9112cc6457c1a087e1d613e7ff2f23271dc1ddcc4f04c/new-homepage-Berlin_Haas1106-web-new.jpg" /> <img width="886" height="498" width_o="886" height_o="498" data-src="https://freight.cargo.site/t/original/i/d174a8bb08760501c214a5b65be64f50eb9ddc4a8bf332d517778187d7c3f60d/CAMP14-web.jpg" data-mid="60491076" border="0" src="https://freight.cargo.site/w/886/i/d174a8bb08760501c214a5b65be64f50eb9ddc4a8bf332d517778187d7c3f60d/CAMP14-web.jpg" /> Camp 2017 / video installation (projection) &amp; screening version / 4k / 16:9 / sound / 09:35 min A small group of children has set up a temporary camp. They are inside their sleeping bags, then they get up. Obviously, they all know their ritual, as if trying to conjure up a certain kind of spirit.
It is an obscure scene full of strange actions and internalised moves ranging between obsession, child's play, hypnosis and worship. All this intensifies in a sound collage of whispering, humming and mumbling and in a sensitive choreography of movements and gestures. The camera eye comes close and reduces the viewer's distance, who is able to witness the rituals in an emotional and physical way. Eine kleine Gruppe von Kindern hat sich ein temporäres Lager errichtet. Sie liegen in ihren Schlafsäcken. Alle stehen nach und nach auf, wissend und unerschrocken. Offenbar kennen die Kinder ihr Ritual. Sie scheinen eine Kraft zu beschwören, Kontakt aufzunehmen mit jemandem oder mit etwas. Es ist eine undurchschaubare Szenerie eigenartiger Aktionen und internalisierter Handlungen zwischen Besessenheit, Kinderspiel, Hypnose und Anbetung. Sie steigert sich zu einer Choreografie aus Flüstern, Summen und Murmeln, Berührungen und Bewegungsmustern, die immer intensiver werden. Die Kamera kommt den Protagonisten sehr nah und verringert die Distanz des Betrachters bis in intimstes emotionales Miterleben. excerpt: And the stars of the sky fell to the earth https://juliacharlotterichter.com/And-the-stars-of-the-sky-fell-to-the-earth Wed, 16 Jun 2021 18:06:07 +0000 Julia Charlotte Richter https://juliacharlotterichter.com/And-the-stars-of-the-sky-fell-to-the-earth And the Stars of the Sky Fell to the Earth <img width="3543" height="1993" width_o="3543" height_o="1993" data-src="https://freight.cargo.site/t/original/i/53ac63375bd62219a80f5a5263ae8b297c669c174e474e0bccc01081bd80db6e/And-the-stars-Still5.jpg" data-mid="111548332" border="0" src="https://freight.cargo.site/w/1000/i/53ac63375bd62219a80f5a5263ae8b297c669c174e474e0bccc01081bd80db6e/And-the-stars-Still5.jpg" /> <img width="3543" height="1994" width_o="3543" height_o="1994" data-src="https://freight.cargo.site/t/original/i/127164f26d0eb16fc74d94f586b3bdbbeeffbcd65e4e19f19f1e624f1e9e135b/And-the-stars-Still1.jpg" data-mid="111548328" border="0" src="https://freight.cargo.site/w/1000/i/127164f26d0eb16fc74d94f586b3bdbbeeffbcd65e4e19f19f1e624f1e9e135b/And-the-stars-Still1.jpg" /> <img width="3543" height="1994" width_o="3543" height_o="1994" data-src="https://freight.cargo.site/t/original/i/88f4b89cd3ac86f2ddd2e707ce9009c6509f48ab974347c303f3b6087b222b30/And-the-stars-Still2.jpg" data-mid="111548329" border="0" src="https://freight.cargo.site/w/1000/i/88f4b89cd3ac86f2ddd2e707ce9009c6509f48ab974347c303f3b6087b222b30/And-the-stars-Still2.jpg" /> <img width="3543" height="1994" width_o="3543" height_o="1994" data-src="https://freight.cargo.site/t/original/i/b1bcd680b19dffa1a0b815d3cabb1d6d829df10ca85c327e6442c00205859f8e/And-the-stars-Still4.jpg" data-mid="111548331" border="0" src="https://freight.cargo.site/w/1000/i/b1bcd680b19dffa1a0b815d3cabb1d6d829df10ca85c327e6442c00205859f8e/And-the-stars-Still4.jpg" /> And the Stars of the Sky Fell to the Earth 2021 / video installation (projection) &amp; screening version / 4k / 16:9 / sound / 05:10 min Ein Junge sitzt auf dem Boden seines Kinderzimmers und beschäftigt sich konzentriert mit seinem Spielzeug. Er dreht ein Auto zwischen seinen Fingern umher und lässt es langsam zu Boden herab, so als würde es vom Himmel fallen. Allmählich steigert sich die rhythmische Inszenierung und der Junge macht mit seinem Mund explosive Geräusche, zerstört mit ganzer Kraft seine eigene Spielzeugwelt. Er ist Weltenerbauer und Weltenzerstörer zugleich.&nbsp; (Stefan Ewald) We see a young boy playing intently with his toys on the floor of his room. He rolls a miniature car between his fingers, then lets it down slowly as if it was falling from the sky. The rhythm picks up while the boy is mimicking sounds of explosions. We deduce that, with all his might, he shatters his toy world to pieces. He is simultaneously creator and destroyer of worlds. (Stefan Ewald) Point Blank https://juliacharlotterichter.com/Point-Blank Mon, 04 Feb 2019 21:09:44 +0000 Julia Charlotte Richter https://juliacharlotterichter.com/Point-Blank Point Blank <img width="3543" height="1994" width_o="3543" height_o="1994" data-src="https://freight.cargo.site/t/original/i/9ebb1d602a3d0f18cec3415fdbb146917a9a0268593c17d8406d5a1c7fb124ff/Point-Blank-Still10.jpg" data-mid="104127147" border="0" src="https://freight.cargo.site/w/1000/i/9ebb1d602a3d0f18cec3415fdbb146917a9a0268593c17d8406d5a1c7fb124ff/Point-Blank-Still10.jpg" /> <img width="3543" height="1994" width_o="3543" height_o="1994" data-src="https://freight.cargo.site/t/original/i/cf8c357104f7b8e75ea18f9e366cf080808099c9338f2a283c7072b27746e9fe/Point-Blank-Still2.jpg" data-mid="42095600" border="0" src="https://freight.cargo.site/w/1000/i/cf8c357104f7b8e75ea18f9e366cf080808099c9338f2a283c7072b27746e9fe/Point-Blank-Still2.jpg" /> <img width="2953" height="1661" width_o="2953" height_o="1661" data-src="https://freight.cargo.site/t/original/i/3225afdb833b14fffb5ba6d6abafa94af2358bc51264a321bbac32b8cbcab0de/Point-Blank-Still3.jpg" data-mid="42416849" border="0" src="https://freight.cargo.site/w/1000/i/3225afdb833b14fffb5ba6d6abafa94af2358bc51264a321bbac32b8cbcab0de/Point-Blank-Still3.jpg" /> <img width="2953" height="1661" width_o="2953" height_o="1661" data-src="https://freight.cargo.site/t/original/i/d1aa08b5d670c95fabef0883ea78a0bcfba903c7963fa2364a1d5dc65cbd7b73/Point-Blank-Still8.jpg" data-mid="42417146" border="0" src="https://freight.cargo.site/w/1000/i/d1aa08b5d670c95fabef0883ea78a0bcfba903c7963fa2364a1d5dc65cbd7b73/Point-Blank-Still8.jpg" /> <img width="3543" height="1994" width_o="3543" height_o="1994" data-src="https://freight.cargo.site/t/original/i/77ce4b274ba674941949c1444cccefe13a40dc21048ebc67a21f03c4c3cbea25/Point-Blank-Still14.jpg" data-mid="104127151" border="0" src="https://freight.cargo.site/w/1000/i/77ce4b274ba674941949c1444cccefe13a40dc21048ebc67a21f03c4c3cbea25/Point-Blank-Still14.jpg" /> <img width="3543" height="1994" width_o="3543" height_o="1994" data-src="https://freight.cargo.site/t/original/i/9a1c612f33aa6debcbe6509681862ce6cc65f3642f58bf902890fa1b492a33da/Point-Blank-Still15.jpg" data-mid="104127152" border="0" src="https://freight.cargo.site/w/1000/i/9a1c612f33aa6debcbe6509681862ce6cc65f3642f58bf902890fa1b492a33da/Point-Blank-Still15.jpg" /> <img width="3543" height="1994" width_o="3543" height_o="1994" data-src="https://freight.cargo.site/t/original/i/34d86b547cedd6dce47186edf9e42943e6122fed6ce350b97ffd131bb19b9c38/Point-Blank-Still16.jpg" data-mid="104127153" border="0" src="https://freight.cargo.site/w/1000/i/34d86b547cedd6dce47186edf9e42943e6122fed6ce350b97ffd131bb19b9c38/Point-Blank-Still16.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/c57d966af042ac7717fe7d7bab08a663e7b91be07bd1da4efbc92d28a7f3f5d0/Point-Blank-Still6.jpg" data-mid="104127144" border="0" src="https://freight.cargo.site/w/1000/i/c57d966af042ac7717fe7d7bab08a663e7b91be07bd1da4efbc92d28a7f3f5d0/Point-Blank-Still6.jpg" /> <img width="3543" height="1994" width_o="3543" height_o="1994" data-src="https://freight.cargo.site/t/original/i/9ed84fec9d1412745507697d552c9be69055ddd42e5617d457196ba4e95c2da7/Point-Blank-Still12.jpg" data-mid="104127149" border="0" src="https://freight.cargo.site/w/1000/i/9ed84fec9d1412745507697d552c9be69055ddd42e5617d457196ba4e95c2da7/Point-Blank-Still12.jpg" /> Point Blank 2019 / video installation (projection) &amp; screening version / 4k / 16:9 / 5.1 sound / 07:35 min “Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength. „Point Blank“ bezieht sich auf eine Filmszene aus „The Misfits“ (1961), die in Julia Charlotte Richters Arbeit reinszeniert und weiterführend kontextualisiert wird. In der Originalszene bäumt sich die frisch geschiedene Hauptfigur Roslyn (Marilyn Monroe) gegen drei abgehalfterte Cowboys auf und konfrontiert die Männer mitten in der Wüste mit all ihren Ängsten, Mängeln und verlorenen Träumen. In „Point Blank“ sehen wir eine junge Frau, die in surrealen Wüstenlandschaften umherwandert, ein Aufbruch ins Entlegene der Welt und das eigene Innere. Mit jedem Schritt hinaus in die Wüste, begibt sich das Mädchen in ihre eigene Tiefe hinab, wo sie einen Ort sucht, der für die Platzierung ihrer Gefühle und Worte geeignet zu sein scheint. Doch im Gegensatz zu Roslyn richtet sich die junge Frau nun an abwesende Adressaten: "Liars", "Murderers" und "Dead Men" ruft sie und dreht sich wild umher. Die Worte, die sich wie Schüsse in der Luft verteilen, fallen jedoch wieder auf sie zurück. Außer einem leicht vernehmbaren Echo gibt es keine Resonanz an diesem Ort, der als dramatische Sehnsuchtskulisse in die kollektive Kinogeschichte eingebrannt ist und die Besessenheiten einer verzerrten, patriarchalen Gesellschaft abbildet. An der selben Stelle, wo Roslyn noch drei Männern ein erschrockenes Staunen entlocken konnte, bleibt die junge Frau in Julia Charlotte Richters Video allein und ungehört, die Wüste als einziger Zeuge ihres Manifests, ihrer Wut und ihrer Stärke. excerpt: Zombies https://juliacharlotterichter.com/Zombies Mon, 04 Feb 2019 21:16:33 +0000 Julia Charlotte Richter https://juliacharlotterichter.com/Zombies Zombies <img width="2362" height="1329" width_o="2362" height_o="1329" data-src="https://freight.cargo.site/t/original/i/c03087f457161e86c4c908d134d2240a3beeb30bb097281a266b55547bdcb25a/Zombie-Still150dpi.jpg" data-mid="60478350" border="0" src="https://freight.cargo.site/w/1000/i/c03087f457161e86c4c908d134d2240a3beeb30bb097281a266b55547bdcb25a/Zombie-Still150dpi.jpg" /> <img width="1476" height="830" width_o="1476" height_o="830" data-src="https://freight.cargo.site/t/original/i/3418cb7cb25aab07a8c05622a5953931c61e27532461b3b29801ea68f580ac43/ZOMBIE.Still006-150dpi.jpg" data-mid="60478352" border="0" src="https://freight.cargo.site/w/1000/i/3418cb7cb25aab07a8c05622a5953931c61e27532461b3b29801ea68f580ac43/ZOMBIE.Still006-150dpi.jpg" /> <img width="1476" height="830" width_o="1476" height_o="830" data-src="https://freight.cargo.site/t/original/i/bf25592a30cbca129b85e4cbf5757b15420e4690533cfcc8378504b583e00ef1/ZOMBIE.Still011-150dpi.jpg" data-mid="60478355" border="0" src="https://freight.cargo.site/w/1000/i/bf25592a30cbca129b85e4cbf5757b15420e4690533cfcc8378504b583e00ef1/ZOMBIE.Still011-150dpi.jpg" /> <img width="1476" height="830" width_o="1476" height_o="830" data-src="https://freight.cargo.site/t/original/i/542bf8b2d4a754624f55b7f291ee41120dfe8d53c9233f79397dc6cf1061bde3/ZOMBIE.Still004-150dpi.jpg" data-mid="60478351" border="0" src="https://freight.cargo.site/w/1000/i/542bf8b2d4a754624f55b7f291ee41120dfe8d53c9233f79397dc6cf1061bde3/ZOMBIE.Still004-150dpi.jpg" /> <img width="1476" height="830" width_o="1476" height_o="830" data-src="https://freight.cargo.site/t/original/i/0b9b4425ff3dc50dc9a060e9b859cef3224547ad817d8b0cf5ddcdf595b88470/ZOMBIE.Still09-150dpi.jpg" data-mid="60478353" border="0" src="https://freight.cargo.site/w/1000/i/0b9b4425ff3dc50dc9a060e9b859cef3224547ad817d8b0cf5ddcdf595b88470/ZOMBIE.Still09-150dpi.jpg" /> <img width="1476" height="830" width_o="1476" height_o="830" data-src="https://freight.cargo.site/t/original/i/df44259850c4d4310f3d308b0a2923827c333b87abc498ae6cf40c13aacc98c0/ZOMBIE.Still010.-150dpi.jpg" data-mid="60478354" border="0" src="https://freight.cargo.site/w/1000/i/df44259850c4d4310f3d308b0a2923827c333b87abc498ae6cf40c13aacc98c0/ZOMBIE.Still010.-150dpi.jpg" /> Zombies 2019/2020 / video installation / 4k / 16:9 / sound /&nbsp; work in progress Setting https://juliacharlotterichter.com/Setting Sun, 03 Feb 2019 16:20:07 +0000 Julia Charlotte Richter https://juliacharlotterichter.com/Setting Setting <img width="2953" height="1661" width_o="2953" height_o="1661" data-src="https://freight.cargo.site/t/original/i/03285e3f0ef757215d365b6f6ba7643e36e5d0bce1560396edf47a302b35f094/Setting-Still3.jpg" data-mid="34469185" border="0" src="https://freight.cargo.site/w/1000/i/03285e3f0ef757215d365b6f6ba7643e36e5d0bce1560396edf47a302b35f094/Setting-Still3.jpg" /> <img width="2953" height="1661" width_o="2953" height_o="1661" data-src="https://freight.cargo.site/t/original/i/510007b8253c0a31166ca26e45d2a50a6ce6dcb8f580df69ce3d1f5aaee27724/Setting-Still1.jpg" data-mid="34469183" border="0" src="https://freight.cargo.site/w/1000/i/510007b8253c0a31166ca26e45d2a50a6ce6dcb8f580df69ce3d1f5aaee27724/Setting-Still1.jpg" /> <img width="2953" height="1661" width_o="2953" height_o="1661" data-src="https://freight.cargo.site/t/original/i/8866f5c04ec2b1233471f8be14d129d4c91d0d2724861a4815a5a55aa1cc7a0d/Setting-Still4.jpg" data-mid="34469186" border="0" src="https://freight.cargo.site/w/1000/i/8866f5c04ec2b1233471f8be14d129d4c91d0d2724861a4815a5a55aa1cc7a0d/Setting-Still4.jpg" /> <img width="2953" height="1661" width_o="2953" height_o="1661" data-src="https://freight.cargo.site/t/original/i/99c14f3941f64762d2f616e15be7c48566cd707c27c71c407f9d665e7e2335e2/Setting-Still7.jpg" data-mid="34469189" border="0" src="https://freight.cargo.site/w/1000/i/99c14f3941f64762d2f616e15be7c48566cd707c27c71c407f9d665e7e2335e2/Setting-Still7.jpg" /> <img width="2953" height="1661" width_o="2953" height_o="1661" data-src="https://freight.cargo.site/t/original/i/931a505f5d137ed9cba77de7ddc2203e315759a25b3dbdf24d1079e24b9d1116/Setting-Still8.jpg" data-mid="34469190" border="0" src="https://freight.cargo.site/w/1000/i/931a505f5d137ed9cba77de7ddc2203e315759a25b3dbdf24d1079e24b9d1116/Setting-Still8.jpg" /> <img width="2953" height="1661" width_o="2953" height_o="1661" data-src="https://freight.cargo.site/t/original/i/ab7247d9ef1d5bd2b0c47b2ff47c7db84b18abc35347384267e8c38d4c4127b5/Setting-Still5.jpg" data-mid="34469616" border="0" src="https://freight.cargo.site/w/1000/i/ab7247d9ef1d5bd2b0c47b2ff47c7db84b18abc35347384267e8c38d4c4127b5/Setting-Still5.jpg" /> <img width="1181" height="788" width_o="1181" height_o="788" data-src="https://freight.cargo.site/t/original/i/dafdae0dcdac0a3f598ec8a100c65d0905f53a4998994c9706fef180b08cd30d/neu-homepage-IMG_0781bearb.jpg" data-mid="60490695" border="0" src="https://freight.cargo.site/w/1000/i/dafdae0dcdac0a3f598ec8a100c65d0905f53a4998994c9706fef180b08cd30d/neu-homepage-IMG_0781bearb.jpg" /> Setting 2013 / video installation (projection) / loop / HD / 16:9 / sound / 05:00 min The work "Setting" (2013), deals with girls around the age of six. What makes this film special is that its ambiguity is made transparent. A girl builds a golden tower with chocolate coins that are scattered around. Another puts so much candy in her mouth that she almost cannot manage to swallow it. (...) A skull that looks more like a shrunken head appears along with a pair of pale, crippled, bizarre looking witch hands. The shutters of a colorfully painted walk-in cardboard house open up and play-money comes flying out. The floor is already covered with bills. (...) A girl wears a devil mask. When she pushes a button, a rough male voice can be heard. A little pony stands on another shelf along with a model of a black luxury car.The ambiguity of this film conveys our experience of today through the viewpoint of a child: abundance, pouring money down the drain, unnecessary craving and consumption of food, the ecstasy of ideal beauty, the domino effect that is caused by rapidly progressing debt, the artificiality of the everyday world, social isolation, luxury and evil. (...)&nbsp;The girls’ childlike impetus is acting of its own accord and a scenario is described that one day may be catching up with them. This is only one aspect though. The other, which is central, shows how adults, though they may mean well, infiltrate the minds of children by purposefully giving them toys. It is needless to say that the artist manipulates and stages the girls, but at the same time she consciously exposes the manipulation. On the one hand, ambiguity becomes evident, on the other hand, the artist reveals herself: she herself exemplifies – pars pro toto – a subversive process that infiltrates the consciousness (the manipulation of the girls) and which proves to be an efficient illusion. (...)(excerpt catalogue text, by Jean-Christophe Ammann) Die Arbeit „Setting“ handelt von etwa sechsjährigen Mädchen. Das besondere an diesem Film besteht darin, dass die Doppelbödigkeit transparent wird. Aus herumliegenden Schokoladentalern baut ein Mädchen einen goldenen Turm; eines wirft sich aus einer Tüte so viele Süßigkeiten in den Mund, dass &nbsp;es diese schier nicht bewältigen kann (…) ein Totenkopf, eher ein Schrumpfkopf, skurrile, blass-verkrüppelte Hexenhände sind zu sehen; die Fensterläden in einem begehbaren, farbig bemalten Häuschen aus Pappe öffnen sich, heraus fliegen Spielgeldscheine, von denen schon etliche den Boden bedecken (…) das Mädchen trägt eine Teufelsmaske, betätigt es die Sprechtaste, ist eine kratzende Männerstimme zu hören; in einem Regal steht ein Plastikpony, daneben das Modell einer schwarzen Luxuslimousine.Die Doppelbödigkeit enthält, was wir heute erleben, aus der Sicht eines Kindes: den Überfluss – buchstäblich das Geld aus dem Fenster werfen; die Fresssucht; die Extase des Schönheitsideals; den durch rasante Verschuldung bewirkten Dominoeffekt; die Künstlichkeit von Welt; das Aussondern von Menschen; den Luxus und das Böse.&nbsp;Sie handeln in ihrem kindlichen Impetus gewissermaßen aus sich selbst heraus, ein Szenario beschreibend, das sie eines Tages einholen könnte. Jedoch ist dies nur der eine Aspekt. Der andere, zentrale, zeigt, wie Erwachsene die Sicht des Kindes infiltrieren, ihm die Utensilien des Spiels zielgerichtet und wohlmeinend in die Hände geben. Natürlich manipuliert und inszeniert die Künstlerin die Mädchen, aber sie entlarvt damit gleichzeitig die Manipulation. Es gibt zum einen die offensichtlich gemachte Doppelbödigkeit, zum anderen eine Handlung, in der sich die Künstlerin selbst enttarnt. Sie zeigt am eigenen Beispiel – pars pro toto – einen subversiven, das Bewusstsein unterwandern- den Prozess (die Manipulation der Mädchen), der glaubhaft macht, was sich als effizientes Trugbild herausstellt. (...)(Ausschnitt Katalogtext, by Jean-Christophe Ammann) &nbsp; excerpt: Learning to Fly https://juliacharlotterichter.com/Learning-to-Fly Sun, 03 Feb 2019 17:10:00 +0000 Julia Charlotte Richter https://juliacharlotterichter.com/Learning-to-Fly Learning to Fly <img width="2598" height="1462" width_o="2598" height_o="1462" data-src="https://freight.cargo.site/t/original/i/6b57218445af9efad75f30ee1f1c1f078109bc9adca64dd7d32905c2de02d154/LTF-4-300dpi.jpg" data-mid="34473228" border="0" src="https://freight.cargo.site/w/1000/i/6b57218445af9efad75f30ee1f1c1f078109bc9adca64dd7d32905c2de02d154/LTF-4-300dpi.jpg" /> <img width="1181" height="886" width_o="1181" height_o="886" data-src="https://freight.cargo.site/t/original/i/beb83d6377e127934467a55f723840f3b86ad163b304b08221448edde57ae8c1/homepage-LTF-Ausstellungsansicht-neu-bearbeitet-copy.jpg" data-mid="60491850" border="0" src="https://freight.cargo.site/w/1000/i/beb83d6377e127934467a55f723840f3b86ad163b304b08221448edde57ae8c1/homepage-LTF-Ausstellungsansicht-neu-bearbeitet-copy.jpg" /> <img width="1181" height="886" width_o="1181" height_o="886" data-src="https://freight.cargo.site/t/original/i/154409cce1fcd70d2d19d92bc98d8068d96c66b0a85180e2e8c53ad0543944b3/homepage-Chor-und-Rotkappchen-Ausstellungsansicht-Kopie.jpg" data-mid="60555018" border="0" src="https://freight.cargo.site/w/1000/i/154409cce1fcd70d2d19d92bc98d8068d96c66b0a85180e2e8c53ad0543944b3/homepage-Chor-und-Rotkappchen-Ausstellungsansicht-Kopie.jpg" /> <img width="2598" height="1462" width_o="2598" height_o="1462" data-src="https://freight.cargo.site/t/original/i/e2487e08df30c1fad0971e26a19d912933038de81f1cd101d86ab234da707522/LTF-2-300dpi.jpg" data-mid="34473225" border="0" src="https://freight.cargo.site/w/1000/i/e2487e08df30c1fad0971e26a19d912933038de81f1cd101d86ab234da707522/LTF-2-300dpi.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e1cdf061ea6a4726b0d4c2d72a4d217f945be9f5f0a1b62aca618b14f9a850b9/LTF-7.jpg" data-mid="34473320" border="0" src="https://freight.cargo.site/w/1000/i/e1cdf061ea6a4726b0d4c2d72a4d217f945be9f5f0a1b62aca618b14f9a850b9/LTF-7.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0da231641a4c364c2675b81ba2a60375c8d33c693f5a1dc68d43914e1f7e9314/LTF-12.jpg" data-mid="34473322" border="0" src="https://freight.cargo.site/w/1000/i/0da231641a4c364c2675b81ba2a60375c8d33c693f5a1dc68d43914e1f7e9314/LTF-12.jpg" /> <img width="4134" height="2325" width_o="4134" height_o="2325" data-src="https://freight.cargo.site/t/original/i/cdd52a354aa7379204ec256752fea7826b3db8f1e1dc76d8cda387da55bfe2c1/LTF-16-300dpi.jpg" data-mid="34535669" border="0" src="https://freight.cargo.site/w/1000/i/cdd52a354aa7379204ec256752fea7826b3db8f1e1dc76d8cda387da55bfe2c1/LTF-16-300dpi.jpg" /> <img width="2598" height="1462" width_o="2598" height_o="1462" data-src="https://freight.cargo.site/t/original/i/b5c935bcf174ab5b2ddf0d99f8c0df2d1ee0f43fcabcd9dfe0ba2b598d701062/LTF-1-300dpi.jpg" data-mid="34473224" border="0" src="https://freight.cargo.site/w/1000/i/b5c935bcf174ab5b2ddf0d99f8c0df2d1ee0f43fcabcd9dfe0ba2b598d701062/LTF-1-300dpi.jpg" /> Learning to Fly 2011 / video installation (projection) &amp; screening version&nbsp; / HD / 16:9 / sound / 08:45 min For the video “Learning to Fly” Julia Charlotte Richter asked the local male choir in the little village Willingshausen to learn the pop song of the same title that was famous in her youth. This task is not only an imposition because of the English language. The men, well advanced in years, sing in unison the teenager text like a choral. Objectively and intimately at the same time, the camera captures the ritual of choir practice. Arriving, warming up and singing the song. The song’s narration - the self-perception of growing up, young Icarus’ high spirits, accompanied by hopes and doubts - becomes a mission and, in the choral singing, a warning, almost a lamentation by the elderly. The inclusion of German subtitles in the video again leads to an ambiguous objectivity. (Bernhard Balkenhol) Für das Video „Learning to Fly“ bat Julia Charlotte Richter den Männerchor des Ortes Willingshausen, den gleichnamigen Popsong ihrer eigenen Jugend einzustudieren, was nicht nur wegen der englischen Sprache eine Zumutung ist. Die betagten Herren singen unisono den aus dem Ich gesprochenen Teenager-Text wie einen Choral. Sachlich und intim zugleich hält die Kamera das Ritual der Probe fest, vom Ankommen über das Einsingen bis zum Vortrag. Die Erzählung des Liedes - die Selbstwahrnehmung des Flüggewerdens, der Übermut des jugendlichen Ikarus, begleitet von Hoffnungen und Zweifeln - gerät zum Auftrag und im Tonfall des Gesangs zur Mahnung der Altvorderen, fast zur Klage. Wenn dann beim Singen des Liedes die deutsche Übersetzung als Untertitel eingeblendet wird, entsteht eine doppelbödige Sachlichkeit. (Bernhard Balkenhol) excerpt: JB https://juliacharlotterichter.com/JB Mon, 04 Feb 2019 20:57:53 +0000 Julia Charlotte Richter https://juliacharlotterichter.com/JB JB <img width="567" height="425" width_o="567" height_o="425" data-src="https://freight.cargo.site/t/original/i/6095815acf5b8fdcfdcaef60f4f52659c53f293f5b7bce206c88794e8f29d190/JB-Still6.jpg" data-mid="34588573" border="0" src="https://freight.cargo.site/w/567/i/6095815acf5b8fdcfdcaef60f4f52659c53f293f5b7bce206c88794e8f29d190/JB-Still6.jpg" /> <img width="1800" height="1420" width_o="1800" height_o="1420" data-src="https://freight.cargo.site/t/original/i/5d678862073eeb3b7b55943d15a294842989bc811f19dab26bd8effa2cd0c8ca/2.EMAF-still2-JB-Kopie.jpg" data-mid="34588401" border="0" src="https://freight.cargo.site/w/1000/i/5d678862073eeb3b7b55943d15a294842989bc811f19dab26bd8effa2cd0c8ca/2.EMAF-still2-JB-Kopie.jpg" /> <img width="1800" height="1420" width_o="1800" height_o="1420" data-src="https://freight.cargo.site/t/original/i/4462163a0eabd6091dd1d655a7cbae5f2c73e019b722352bda67a1db622e0557/3.EMAF-still4-JB-Kopie.jpg" data-mid="34588403" border="0" src="https://freight.cargo.site/w/1000/i/4462163a0eabd6091dd1d655a7cbae5f2c73e019b722352bda67a1db622e0557/3.EMAF-still4-JB-Kopie.jpg" /> <img width="768" height="576" width_o="768" height_o="576" data-src="https://freight.cargo.site/t/original/i/ba8c7750fa3b93f36e44c95f0bd5b128cb220c86fb9f5c345453acaab703baef/JB1.jpg" data-mid="34588116" border="0" src="https://freight.cargo.site/w/768/i/ba8c7750fa3b93f36e44c95f0bd5b128cb220c86fb9f5c345453acaab703baef/JB1.jpg" /> <img width="1800" height="1420" width_o="1800" height_o="1420" data-src="https://freight.cargo.site/t/original/i/4a885423c7d63ff70d32daa7be7204d94b84eb224543eadb1f5b50f457026581/1.EMAF-still1-JB-Kopie.jpg" data-mid="34588399" border="0" src="https://freight.cargo.site/w/1000/i/4a885423c7d63ff70d32daa7be7204d94b84eb224543eadb1f5b50f457026581/1.EMAF-still1-JB-Kopie.jpg" /> JB 2005 / video installation (TV)&nbsp; / loop / DV-PAL / 4:3 / sound / 40:00 min a work by Barbara Hirn and Julia Charlotte Richter The video clip by Barbara Hirn and Julia Charlotte Richter is set between the worlds of teddies and the longing for identity. Unremittingly, two girls try to rehearse a hip-hop choreography. The permanent repetition of the moves, the switching on the CD player and the concentrated waiting fort he start of the music become a ritual, which conveys the impression of a loop to the observer. However, it turns out that the scene shows a real-time sequence. Their endeavours towards synchronicity and the unceasing repetitions are not only a superficial reflection of the excessive enthusiasm of teenagers, but also express a subconscious yearning for security and appreciation, which is searched for in the imitation of media idols, and is found in the awareness of doing something together. Between authenticity and irony, the intimate insight into the room of a young person does not allow an exact categorisation, but the obvious tendency towards suggestibility and being taken up with one’s aspirations is revealed. Unermüdlich versuchen zwei Mädchen in einem Jugendzimmer eine Hip-Hop-Choreographie einzustudieren. Die ständige Wiederholung der Schritte,das Einschalten des CD-Players und das konzentrierte Warten auf den Einsatz der Musik werden zum Ritual, welches dem Betrachter den Eindruck eines Loops vermittelt. Doch stellt sich heraus, dass die Szene in Echtzeit passiert. Ihr Bemühen nach Synchronität und die andauernden Wiederholungen sind nicht nur oberflächlicher Spiegel von Teenagerschwärmereien, sondern drücken ein unbewusstes Verlangen nach Sicherheit und Bestätigung aus, was in dem Nacheifern der Medienidole gesucht und in dem Bewusstsein, etwas Gemeinsames zu tun, gefunden wird. Der intime Einblick in das Jugendzimmer erlaubt zwischen Authentizität und Ironisierung keine genaue Einordnung,enthüllt aber die offensichtliche Tendenz zur Beeinflussbarkeit und des Sich-Hineinsteigerns in Halt versprechenen Nachahmungen. excerpt: Synchronized Swimming https://juliacharlotterichter.com/Synchronized-Swimming Mon, 04 Feb 2019 20:49:07 +0000 Julia Charlotte Richter https://juliacharlotterichter.com/Synchronized-Swimming Synchronized Swimming <img width="720" height="576" width_o="720" height_o="576" data-src="https://freight.cargo.site/t/original/i/15db75521548da51636c859eb79f06b00c7f16a9d028da66478c9da50891d34c/Still-Pose.jpg" data-mid="34587484" border="0" src="https://freight.cargo.site/w/720/i/15db75521548da51636c859eb79f06b00c7f16a9d028da66478c9da50891d34c/Still-Pose.jpg" /> <img width="720" height="576" width_o="720" height_o="576" data-src="https://freight.cargo.site/t/original/i/8c32a5943af8407a700b8fb224e4b1fa20d203e6fb5960158303e0b5dd79b470/Synchronschwimmen-still5.jpg" data-mid="34587713" border="0" src="https://freight.cargo.site/w/720/i/8c32a5943af8407a700b8fb224e4b1fa20d203e6fb5960158303e0b5dd79b470/Synchronschwimmen-still5.jpg" /> <img width="720" height="576" width_o="720" height_o="576" data-src="https://freight.cargo.site/t/original/i/9a4170079ca766ac367bb1ed52fefebe8e46b1822e4bcd32d56dde478e1f626a/Synchronschwimmen-still4.jpg" data-mid="34587706" border="0" src="https://freight.cargo.site/w/720/i/9a4170079ca766ac367bb1ed52fefebe8e46b1822e4bcd32d56dde478e1f626a/Synchronschwimmen-still4.jpg" /> <img width="720" height="576" width_o="720" height_o="576" data-src="https://freight.cargo.site/t/original/i/be89e47387f78d2eb7397c21e899c750e793b15c1aaf76110c8ded9c8e9b4947/Synchronschwimmen-still3.jpg" data-mid="34587486" border="0" src="https://freight.cargo.site/w/720/i/be89e47387f78d2eb7397c21e899c750e793b15c1aaf76110c8ded9c8e9b4947/Synchronschwimmen-still3.jpg" /> <img width="1417" height="1134" width_o="1417" height_o="1134" data-src="https://freight.cargo.site/t/original/i/96fa88fa5d2ca4025451d968d7f2e3287a37745409abbc6a44e7295a3e7e2b70/Still2-besser.jpg" data-mid="34587485" border="0" src="https://freight.cargo.site/w/1000/i/96fa88fa5d2ca4025451d968d7f2e3287a37745409abbc6a44e7295a3e7e2b70/Still2-besser.jpg" /> Synchronized Swimming / Synchronschwimmen 2006 / video installation (projection) &amp; screening version&nbsp; / HD / 16:9 / sound / 08:45 min a work by Barbara Hirn and Julia Charlotte Richter Two ladies in their element of synchronized swimming: the glamour of the performance, addressed to the outside, with its enchanting harmony of physical movements above and under water, leads to surprising metamorphoses, which depict the individual strength of alluring, weird and amazingly funny water mirrorings, of snake- or plant-like moved water reflections. Pushed by the melodramatic music – Rachmaninoff piano concert No.2 – two worlds meet: the delight in synchronizing and in its disenchantment is kept in suspense with collusive agreement and a winking eye.(Ursula Panhans-Bühler) Zwei Synchronschwimmerinnen in ihrem Element: der nach außen gerichtete Glamour der Performance mit ihrem beseligenden Gleichklang körperlicher Bewegungen auf und unter dem Wasser führt zu überraschenden Metamorphosen, die die Eigenmächtigkeit von verführerischen, seltsamen und verblüffend komischen Wasserspiegelungen, von schlangen- oder pflanzenhaft bewegten Wasser-reflexen in Szene setzen. Forciert durch die melodramatische Musik - Rachmaninoff Klavierkonzert No.2 - treffen sich so zwei Welten: die Lust am Synchronen und an dessen Entzauberung werden mit komplizenhaftem Einverständnis augenzwinkernd in der Schwebe gehalten.(Ursula Panhans-Bühler) play time https://juliacharlotterichter.com/play-time Mon, 04 Feb 2019 20:21:12 +0000 Julia Charlotte Richter https://juliacharlotterichter.com/play-time play time <img width="768" height="576" width_o="768" height_o="576" data-src="https://freight.cargo.site/t/original/i/baebcf5bc126d245a46c343a67e96e1ed14a1e09d5a09a207ae407f2a5c744b0/play-time-Still10.jpg" data-mid="34586200" border="0" src="https://freight.cargo.site/w/768/i/baebcf5bc126d245a46c343a67e96e1ed14a1e09d5a09a207ae407f2a5c744b0/play-time-Still10.jpg" /> <img width="1890" height="1512" width_o="1890" height_o="1512" data-src="https://freight.cargo.site/t/original/i/093ae5fff3f21886de6e812de79391774563bf4037ec00a7949190ddef721cee/play-time-still1.jpg" data-mid="34585418" border="0" src="https://freight.cargo.site/w/1000/i/093ae5fff3f21886de6e812de79391774563bf4037ec00a7949190ddef721cee/play-time-still1.jpg" /> <img width="768" height="576" width_o="768" height_o="576" data-src="https://freight.cargo.site/t/original/i/f5eaf48c89f140d89f3a53de408c164a07a821eccee71d9a20ecbfc06c8659a4/play-time-Still1.jpg" data-mid="34585940" border="0" src="https://freight.cargo.site/w/768/i/f5eaf48c89f140d89f3a53de408c164a07a821eccee71d9a20ecbfc06c8659a4/play-time-Still1.jpg" /> <img width="768" height="576" width_o="768" height_o="576" data-src="https://freight.cargo.site/t/original/i/ae7a6df904c9ecd08592015557714a04e5073c420c728ff5bad50ba0e648cb7a/play-time-Still23.jpg" data-mid="34586206" border="0" src="https://freight.cargo.site/w/768/i/ae7a6df904c9ecd08592015557714a04e5073c420c728ff5bad50ba0e648cb7a/play-time-Still23.jpg" /> <img width="768" height="576" width_o="768" height_o="576" data-src="https://freight.cargo.site/t/original/i/f9a69692fe16815a48a244879c2347de2616d3f89888220233217afaa7a795e3/play-time-Still7.jpg" data-mid="34586158" border="0" src="https://freight.cargo.site/w/768/i/f9a69692fe16815a48a244879c2347de2616d3f89888220233217afaa7a795e3/play-time-Still7.jpg" /> <img width="1890" height="1512" width_o="1890" height_o="1512" data-src="https://freight.cargo.site/t/original/i/b3c8c5487b1ed263beb0d34dfb50c049f8da0040615e3d3e7374c423c052ab73/20.play-time-Still4-Kopie.jpg" data-mid="34585842" border="0" src="https://freight.cargo.site/w/1000/i/b3c8c5487b1ed263beb0d34dfb50c049f8da0040615e3d3e7374c423c052ab73/20.play-time-Still4-Kopie.jpg" /> <img width="768" height="576" width_o="768" height_o="576" data-src="https://freight.cargo.site/t/original/i/72420ee043e1fabdd6117dab543fa77e85d72dfc5c82359081076ae119863e8b/play-time-Still2.jpg" data-mid="34585941" border="0" src="https://freight.cargo.site/w/768/i/72420ee043e1fabdd6117dab543fa77e85d72dfc5c82359081076ae119863e8b/play-time-Still2.jpg" /> <img width="768" height="576" width_o="768" height_o="576" data-src="https://freight.cargo.site/t/original/i/09ff91379e44391ccdaba41a5bc6c26203f64fb74d6e24597d12eec40da9274b/play-time-Still3.jpg" data-mid="34585415" border="0" src="https://freight.cargo.site/w/768/i/09ff91379e44391ccdaba41a5bc6c26203f64fb74d6e24597d12eec40da9274b/play-time-Still3.jpg" /> <img width="1890" height="1512" width_o="1890" height_o="1512" data-src="https://freight.cargo.site/t/original/i/69611084b29ad459f9f8acc75a90cf6a73f38d2ea63bd69258fae7c7e10510df/play-time-Still-300dpi.jpg" data-mid="34585804" border="0" src="https://freight.cargo.site/w/1000/i/69611084b29ad459f9f8acc75a90cf6a73f38d2ea63bd69258fae7c7e10510df/play-time-Still-300dpi.jpg" /> <img width="1890" height="1512" width_o="1890" height_o="1512" data-src="https://freight.cargo.site/t/original/i/9bef4f0840f86bea9379a3b771f045e809fc7c40a427972a954cad4b3c077e12/18.Richter-play_time-1-Kopie.jpg" data-mid="34585934" border="0" src="https://freight.cargo.site/w/1000/i/9bef4f0840f86bea9379a3b771f045e809fc7c40a427972a954cad4b3c077e12/18.Richter-play_time-1-Kopie.jpg" /> play time 2008 / video installation (projection) / loop / DV-PAL / 4:3 / sound / no dialogues / 08:40 min „Having secrets is a game that displays and hides at the same time.“ (van Manen/Levering) Young adults drive into a forest. Neither their motivations nor their intentions are revealed. Instead, the viewer witnesses weird rituals that seem to be arranged but develop their own dynamics. There is no constantly narrated plot, no story or a definitive message, but nonetheless all this is permanently suspected or made up. In the same way, the wood, the light, the getting together is full of atmospheres, which are kept unexplained. As a result, the images become metaphors - without creating symbols or conventionalized pictures. Even the cinematic levels are fractured in this manner. There are sounds but obviously no original one; there are dramaturgic cuts but they function as a cloze, there are shots that offer identification but these ones in&nbsp; particular hide more than they reveal. “play time” means playing a game that equals the ambivalence of living life.(Bernhard Balkenhol) "Geheimnisse sind ein Spiel, das zugleich zeigt und verbirgt." (van Manen/Levering)Junge Erwachsene fahren hinaus in einen Wald. Was sie treibt, was sie dort wollen, wird nicht gezeigt. Stattdessen wird der Betrachter zum Beobachter und Teilhaber seltsamer Rituale, die abgesprochen scheinen und doch ihre eigene Dynamik entwickeln. Die Video-sequenzen erzählen keine durchgehende Handlung, es gibt keine Geschichte oder eine definitive Botschaft, gleichwohl vermutet – oder konstruiert man sich all das ständig. Ebenso ist der Wald, das Licht, die Art des Zusammenseins voller Stimmungen, die knisternd unerklärt bleiben. Auf diese Weise entwickeln sich die Bilder zu Metaphern – ohne Symboli-sierung oder Stilisierung. Selbst die filmischen Ebenen sind auf diese Weise gebrochen. Es gibt zwar Geräusche aber offenbar keinen Originalton, es gibt eine dramaturgische Schnittfolge aber quasi nur als Lückentext, es gibt identifikatorische Einstellungen aber gerade sie verdecken mehr als sie zeigen. „play time“ heißt also ein Spiel spielen, das der Ambivalenz von Leben leben gleichkommt.(Bernhard Balkenhol) excerpt: